1. screen size. Not responsible for typographical or illustrative errors. Hd. Customer Service 800.221.5743 or 212.239.7765. C300 Mark III: $11,000 on B&H; Canon Cinema EOS and Netflix. For example, he recommends the C100 mk II as the best (and most affordable) option for shooting solo. Cinema RAW Light files are about 1/3 to 1/5 the size of our standard RAW files. December 5, 2018 at 7:47PM, Edited December 5, 8:04PM. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. This is the third we’ve done in this series. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. As sure as the sun will rise, web forum folk will reach for the Canon-bashing cliches. Most of the Cinema EOS cameras are Netflix approved. © 2020 NONETWORK, LLC. Heck, we’ve tackled it almost six years ago on No Film School. Both cameras CAN match with C-Log 3 but they are still slightly different beasts in image, either way, you'll be shooting a C200 raw image vs a C300 II 10bit internal image or 8bit vs 10bit. vs. Canon EOS C300 Mark II. R mount to medium format lenses speedbooster with cooperation with Metabones, or simply by Metabones. How Oscar Winning DP Chris Menges Mastered Naturalistic Cinematography, The Best Cyber Monday Deals for Filmmakers. Speed up future orders, see order history, create wish lists, and more. C300 mark II has no raw (even external) and no 4k60. From a seasoned filmmaker and videographer, it’s an interesting personal take on the cameras. Uhhhh nawwww. Ever wondered what it is about Canon’s Cinema Cameras? So many new shooters who agonise over mirrorless specs would be better served by picking up a used C100 Mkii and commiting to understanding exposure, framing, good audio and interesting people/stories. 183mm. We close every Friday evening to Saturday evening for Shabbos. But yes, there's an asterisk there, and it turns out the Super35 CMOS sensor's native resolution of 3840x2160 (which is exactly double that of 1080P's 1920x1080 resolution) isn't a "traditional" 4K, and the camera outputs at 1080P. The C300 Mark III sits between the C200 and the C500 Mark II. So many other choices with better specs, picture and features for less $. Paul Joy is shooting with the C300 and C100, and he supplied us with a couple of sample frames. Comparing Canon C200 vs Canon C300 Mark II vs Canon C100 . How many people are shooting docs with the FS7 over the C series? And looks are a very tertiary or even less important consideration but, it's got to be one of the ugliest form-factors out there. While some are trying to choose between the two, others are buying the C100 as a B camera to their C300. Please enable javascript for your best B&H experience. Of course, but today everyone can buy a camera, and too many people are noobs, that's why Sony exists. I care a lot about bit depth (10bit vs. 8bit) and color space (4:2:2 vs 4:2:0). February 15, 2013. Curious as to why nobody seems as of yet to have talked about Canon's C200 in this forum, I thought I would post about it myself and see what happens. Now, it is speculated that the latest Canon Cinema EOS C200 Mark II will feature the same sensor as the Cinema EOS C300 Mark III. Deal. The cost and inconvenience of external power, external ND, media, a speedbooster and rigging solutions for something like a BMPCC4K is unattractive compared to the plug 'n play nature of a solid, all-in-one camcorder like I used in school for ENG and short docs. Canon Cinema EOS C200. No items to compare. In this video by Kenny at Stray Angel Films, we get his recommendations into what makes the C100 mk II, the C200 and the C300 mk II each unique and highlights when and how they could be used best. The smaller file size and reduced bit rate speeds up data transfer and allows internal recording to CFast™ cards. Store #0906712 Elec. The 4:2:2 and 10bit will hold up to grading in post much better than 4:2:0 8bit. Yes, this is the year they lost the market and Sony got it with FS7. James Cameron Is Not a Fan of Ang Lee's High Frame Rate, Sigma Unveils 3 New 'I Series' Full-Frame Premium Primes, Vazen's 65mm T2 1.8x Rounds Out Its Anamorphic Micro Four Thirds Series, 'Raging Bull' and the Glory of the Unlikable Protagonist, Crew Me Up Wants to Change the Way You Get Hired in Film and TV. Contact Us. In addition to it being a great gimbal cam, the Canon C200 serves a much needed purpose as a B-cam to the C300 mkII. External RAW up to 60p. The C200 as the best short or feature film option for the indie filmmaker. All this contradiction make really hard to choose Canon camera. And finally: Canon C200 vs C300II. But let's be frank now Canon have a big issue to solve. The reason is … Get your FREE copy of the eBook called "astonishingly detailed and useful" by Filmmaker Magazine! Also the low light is insanely better than the Ursa. R mount to EF with positive lock I usually tell people that want to get into filmmaking to skip buying an entry MILC or DSLR and buy a used C100 Mark I. I'm planning on saving up for a "real" camera now that I'm out of college and the C100MKII is kind of at the top of my list right now. 4k up to 60p 10bit 4:2:2, 1080p 10bit 4:2:2. December 4, 2018 at 11:58AM, Edited December 4, 11:58AM, a $10k camera that cant shoot 4k 60... crazy. I think the C100 is just a more compact, versatile camera. No items to compare. R mount. Canon R mount.